Yinglu Wu

Ph.D candidate, Department of Fine Arts, International College, Krirk University, Bangkok, 10220, Thailand

Abstract

This research explores the historical evolution as well as cultural significance and contemporary adaptations of ancient Chinese art making skills in Cantonese embroidery. In qualitative research this study examines history in conjunction with content and utilizes case studies to describe how Cantonese embroidery evolved over time without compromising its essential cultural elements. The historical analysis illustrates how embroidery developed through trade exports in the Qing Dynasty according to its technological developments alongside motif and design advancements. The study illustrates how artisans incorporated traditional design elements to meet international customers’ demands resulting in creative developments due to their commitment to cultural heritage preservation. The content analysis examines symbolic meanings which occur within common motifs in Chinese handicraft like dragons, phoenixes, peonies, and lotuses. These symbols convey cultural community narratives as well as philosophical fundamental values to project individual aspirations as well as shared social values at different moments. The analysis assesses the extent to which Guo Pei and NEEMIC as well as Shanghai Tang reinterpret classical Chinese embroidery to create new fashion products for new markets. The study illustrates how innovation entails conformity with cultural conservation practices to sustain heritage through means which balance contemporary market demands. Effective contemporary application of Cantonese embroidery involves adaptation with cultural sensitivity to ensure traditional crafts are preserved while adopting new industry strategies that ensure standards of international appreciation.

Newsletter